Artist Name


birth5/11/1896 in San Donato Val di Comino, ItalyPicture of Coletti
death5/5/1973 in Boston, MA
parentsDomenico and Donata Coletti
educationEvening Art School, Quincy, MA
Massachusetts School of Art, Boston
Northeastern University,
Harvard University (1923),
American Academy in Rome (1924-1926)
awards

Joseph Arthur Coletti, was born 5 November 1896 at San Donato Val di Comino Italy. He was brought to the United States at the age of 2 years, and raised in Quincy, Massachusetts. As a young man he attended the local Quincy schools, and also worked as a tool sharpener in the granite quarries where his father was employed.

He began training at an early age at the Evening Art School in Quincy, Massachusetts. He attended the Massachusetts School of Art and apprenticed himself to the sculptor John Evans (1847-1923). He then worked with John Singer Sargent as the famous artist's only pupil, and assisted him with the sculptured ceiling at the Boston Public Library and the rotunda at the Museum of Fine Arts.

After preparatory work at Northeastern University, he entered Harvard from which he graduated in 1923. He then received two traveling fellowships in fine arts from Harvard., and was a visiting fellow at the American Academy in Rome, Italy from 1924 to 1926. He returned to the United States in 1926 and established his own studio in Boston.

In 1929 Coletti married fellow artist Miriam Kerruish Whitney, daughter of Mr. and Mrs. Edward Samuel Whitney of Montclair, N.J. Together they had two daughters, Donata and Miriam, but divorced later in life.

In 1948 he was elected an Honorary Member of the Harvard Chapter of Phi Beta Kappa. In 1959 his statue of St. George was placed on permanent exhibition in the National Gallery of Modern Art in the Palazzo Pitti at Florence, Italy–the first American so honored. He authored a study of Aristide Maillol, as well as many articles and book reviews. Coletti served for six years as Chairman of the Massachusetts Art Commission. He was recognized not only for the works of art that he created, but as a master of his art of sculpture.

Among his works are sculptures at the Cathedral of Mary Our Queen in Baltimore MD; Archibald Cary Coolidge memorial at Harvard's Widener Library; Lafayette Park state of Ferdinand Gagnon in Manchester NH; Sumner tunnel Memorial Sculpture in Boston, a tympanum of St. Theodore for the chapel of Mercersburg Academy in Pennsylvania; the narthex of the Harvard World War I Memorial Chapel. He executed the sculpture for the north transept portal at the Cathedral of St. John the Divine in New York City. Probably one of the most easily accessible of his projects is his "Farmers and Geese" panel is in the Mansfield Post Office. Well known are his panels "Riveters and Granite," and the "Cranes" for the pediment at the Thomas Crane Public Library in Quincy; the thirty-foot high "Mourning Victory" at Salem MA; Lt. General Edward Logan at the Boston Airport; and Sen. David I. Walsh on the Esplanade in Boston. His monument to the Rev. Michael Joseph McGivney, founder of the Knights of Columbus, dedicated in 1956 in Waterbury, Connecticut;

His portrait busts include John Nicholas Brown, Ralph Adams Cram, John Deferrari, a benefactor of the Boston Public Library (now located in the Boston Room of the Johnson Building); and the Turak Gallery in Nottingham PA. He also is represented at the Vatican Museum, the Museum of Treasures at Cathedral Wavel Castle, Cracow Poland, and the Biblioteque Nationale in Paris. In addition many of his works are held at the Smithsonian.

Joseph A. Coletti died 5 May 1973 at his Boston home. He had been ill for two months after a heart attack. Funeral Services were held in Memorial Chapel at Harvard, and he was buried at Mt. Wollaston Cemetery in Quincy, Massachusetts.

Sourced mostly from here and from the sources listed in the Resources tab.



You can click medals to switch between obverse and reverse sides.

The Heavens Declare the Glory of God 1963
by Joseph A. Coletti
SOM-68.1
Golden bronze with tan patina

This design by Coletti was chosen as the 68th issue of the prestigious Society of Medalists series. The obverse bears two angels, one playing cornetto. Around, THE HEAVENS DECLARE THE GLORY OF GOD; below, J.A.COLETTI Sc. / ©. The reverse bears a great frigatebird soaring against consteallation Scorpius. Below, AND THE FIRMAMENT SHEWETH HIS HANDIWORK.

The medal measures 73mm in diameter. Struck by the Medallic Art Company of New York, the reported production quantity of this medal is 875 in bronze.

SOM-68.1
Bronze
73.0mm (2.87in)
Golden bronze with tan patina
THE SOCIETY OF MEDALISTS 68TH ISSUE - NOV. 1963 JOSEPH A. COLETTI, SC.(C)
MEDALLIC ART CO.N.Y. BRONZE
SOM-68.2
Bronze
73.0mm (2.87in)
Golden bronze with tan patina
THE SOCIETY OF MEDALISTS 68TH ISSUE - NOV. 1963 JOSEPH A. COLETTI, SC.(C)
MACO-NY-BRONZE
SOM-68 Romance Brochure
The Boston Globe Centennial Medal1972
HSC
Bronze with tan patina

The medal's obverse bears globe showing American continents with winged steed above. Around, THE BOSTON GLOBE CENTENNIAL MEDAL; to left and right, EBEN D. JORDAN / FOUNDER and CHARLES H. TAYLOR / BUILDER; below, 1872 - 1972 / © J. Coletti ~ Sc. ~

The medal's reverse shows stylized printing press with legend across, TO GIVE ME IN- / FORMA- TION / IS THY OFFICE.

The edge is marked with MEDALLIC ART CO. N.Y. BRONZE

The Boston Globe was for a long time Boston's equivalent to the New York Times. It was founded in 1872 by Charles H. Taylor but quickly had to be rescued by Eben Jordan, owner of the Jordan Marsh department stores. It was privately held till 1973 when it went public as Affiliated Publications.

The medal probably marked the storied paper's zenith as a print publication. When the owning families took the company public, the focus shifted from the news-oriented Globe to a media conglomerate. The rise of the internet and recession of 1988 marked the beginning of the end for the Globe as an independent news source. The New York Times took it over in 1993 but never managed to capitalize on it. The Globe lives on, now owned by local Boston businessman John Henry.

This circular medal measures 70mm in diameter and was struck in bronze by the Medallic Art Company of New York.

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American Art Medals, 1909-1995 by David Thomason Alexander
David T. Alexander's book can be purchased at the above link. Highly recommended for anyone interested in SOM. I am deeply indebted to him for all the information I used to document the SOM medals on this site.

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